Publications
In the years since his death from alcohol poisoning, San Francisco Renaissance poet (1925-1965) has gradually come to be recognized as one of most intriguing, demanding, and rewarding of the so-called 'New American' poets. The Poetry of Jack Spicer is the first full-length critical monograph on his work, placing it in the context not only of the San Francisco Renaissance and contemporary movements with which Spicer dialogued and often disagreed - such as the Beats, the Black Mountain poets, and the 'New York School' - but also of the major modernists from whom his innovative poetics derived, differed, and developed. Informed by much archival material only recently made available, The Poetry of Jack Spicer examines Spicer's post-Poundian translation projects; his crucial theories of the 'serial poem' and inspiration as 'dictation'; his contrarian take on queer poetics; his insistently uncanny regionalism; and his elaboration of an epistolary poetics of interpellation and address.
My second book, American Modernism's Expatriate Scene: The Labour of Translation, explores expatriation, exoticism, multilingualism, and constructions of native and foreign in Ezra Pound, Henry James, Gertrude Stein, and Jack Spicer, among others, along with the "drive to translate" as theorized by Jean Laplanche and Antoine Berman. One of my main concerns is to show how totalizing constructions of cultural authenticity govern both exoticist mystification and nativist obsessions with cultural and linguistic "purity." In this context, cosmopolitanism, multilingualism, and translation become often eroticized tropes of violation, in consequence both courted and abhorred. This book was shortlisted for the 2008 Modernist Studies Association Book Prize.
My first book, Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett, explores Beckett's paradoxical expressions of "the impossibility to express" by way of deconstructive, post-phenomenological, and psychoanalytic work on the vagaries of the speaking subject, in an effort to address the implications of Beckett's prose for traditional accounts of subjectivity鈥攁 concern of criticism on Beckett since Blanchot and Adorno. While writing the book, I discovered that such an investigation can only proceed by way of consideration of Beckett's bilingualism, as well as his sense of cross-cultural semiotics generally. These concerns led directly to my more recent work, both on American modernism and on Beckett.
Books
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(shortlisted for the 2008 Modernist Studies Association Book Prize)
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Articles and Chapters (selected)
"Language and Representation," in , Anthony Uhlmman, editor. Cambridge: Cambridge UP, 2013.
Modern Language Quarterly 73.2, June 2012.
Samuel Beckett Today / Aujourd鈥檋ui 22: Debts and Legacies, 2010.
Journal of Modern Literature, 2010.
鈥淧ound and Travel: From Venice to Hell and Back,鈥� in , Ira Nadel, editor. Cambridge: Cambridge UP, 2010.
鈥淒e l鈥櫭﹖ranger 脿 la langue 茅trang猫re,鈥� in , Thomas Dutoit and Philippe Romanski, editors. Paris: Editions Galil茅e, 2009.
鈥淲hat Remains of Beckett: Evasion and History鈥� in Beckett and Phenomenology, Matthew Feldman and Ulrika Maude, editors. London: Continuum Books, 2009.
鈥� Samuel Beckett Today/Aujourd鈥檋ui N掳 17, 2006.
Etudes anglaises, vol. 59, no. 1, 2006.
Textual Practice, vol. 18, no. 1, Spring, 2004.
Modern Fiction Studies 49.2, Summer, 2003.
鈥淎phoristic Patriotics: Henry James and the 鈥楥osmopolite.鈥欌�� La Revue fran莽aise d鈥櫭﹖udes am茅ricaines , No. 92, May 2002.
鈥淚nclosing America: Susan Howe and the Heritage of Banishment,鈥� in Les Actes du Colloque du GREAM : Heritages, Universit茅 du Maine, 2000.
鈥淏eckett et les huit langues,鈥� in L鈥橝ffect dans l鈥檕euvre beckettienne (Samuel Beckett Today/Aujourd鈥檋ui N掳 10). Matthijs Engelberts, et al, eds. Amsterdam: Editions Rodopi, 2000.
鈥淓pidemics of Enough: Beckettian Sufficiencies,鈥� in Nihilism Now! Monsters of Energy. Diane Morgan and Keith Ansell Pearson, eds. London: Macmillan Books, 2000.
鈥淪atin Cash: Emily Dickinson's Reserves.鈥� Tropismes N掳 9 : L'Argent comme 茅change symbolique, 1999.
鈥淢irror-Resembling Screens: Yeats, Beckett, and '. . . but the clouds . . ..',鈥� in Samuel Beckett: The Savage Eye/L'艗il fauve (Samuel Beckett Today/Aujourd'hui N掳 4). Catharina Wulf, ed. Amsterdam: Editions Rodopi, 1995.
Book Reviews
Mayhew, Jonathan. Apocryphal Lorca: Translation, Parody, Kitch, University of Chicago Press, 2009, in Hispanic Review 78.4, 2010.
Patterson, Anita. Race, American Literature, and Transnational Modernisms, Cambridge UP, 2008, in Modernism/Modernity, vol. 17, no. 2, April, 2010.
Albright, Daniel. Beckett and Aesthetics. Cambridge UP, 2003, in The Beckett Circle, vol 27, no. 2, Fall 2004.
Boulter, Jonathan. Interpreting Narrative in the Novels of Samuel Beckett, University Press of Florida, 2001, in The Beckett Circle, vol 26, no. 2, Fall 2003.
Friedman, Alan Warren, ed. Beckett in Red and Black, University Press of Kentucky, 2000, in The Beckett Circle, vol 24, no. 1, Spring 2001.
Uhlmann, Anthony. Beckett and Poststructuralism, Cambridge University Press, 1999, in The Beckett Circle, vol. 22, no. 1, Spring 2000.
Review Articles
"Writing in the Disciplinary Borderlands" (Andrew Gibson. Beckett and Badiou: The Pathos of Indeterminacy. Oxford: Oxford UP. 2006. xiii + 322 pp; Asja Szafraniec. Beckett, Derrida, and the Event of Literature. Stanford: Stanford UP, 2007. 239 pp; Anthony Uhlmann. Samuel Beckett and the Philosophical Image. Cambridge: Cambridge UP, 2006. viii + 191 pp., in Modern Fiction Studies) in Modern Fiction Studies 54.4, Winter, 2008.
Pilling, John ed. Beckett鈥檚 Dream Notebook. Beckett International Foundation, 1999; 鈥淏eckett/Aesthetics/Politics鈥� (Samuel Beckett Today/Aujourd鈥檋ui 9) Editions Rodopi, 2000; Sussman, Henry, and Devenney, Christopher, eds. Engagement and Indifference: Beckett and the Political, State University of New York Press, 2001, in Textual Practice 16 (3), 2002.